To frame this unique screenprint in three colours on paper, titled 'Icicles' 2017 by site-responsive contemporary artist Fiona Grady we picked something equally mint.
We chose a blue grey 'Flint' frame, which is one of a new unfinished real wood veneer-wrapped aluminium range, providing a deep profile with a narrow edge and the strength from a metal frame. Visit us to see the range which includes Ash, Maple, Oak, Walnut and Slate. The natural grain of wood along with the sharp edges worked effectively with the geometric shapes and nature of the artwork.
As it is an original unique screenprint which we wanted to protect as well as it to look cool, we mounted it floating in an extra-thick cotton-core mount with Anti-Reflective UV-Filtered Museum Glass. Read more about our Conservation Framing for valuable artworks.
For more about Fiona Grady visit at her website www.fionagrady.co.uk and to buy her work - Look Up print who are selling an edition version similar to this screenprint https://www.lookupprints.com/collections/fiona-grady/products/shards
Contact us or visit our client space Tuesday to Saturdays 9am to 5pm for your framing requirements.
When framing traditional artwork, it is not always necessary to choose a traditional frame. Often a more modern style of frame can be an excellent choice.
Although these landscape paintings are fairly traditional in style, the client was keen to frame them in something more contemporary, to suit the room they were destined to be hung in.
Having the options of the individual hand finishes meant that we could introduce a wide choice of colours and stains for the client to pick from.
The client chose a simple, square section, painted a solid, mid grey which tonally complemented the paintings without competing with colours.
A client with William Hogarth etchings was keen to remove them from the plastic 60's frames they were in and frame them in a more modern style than the period the prints were made. It was important however to frame them in a profile that was still appropriate to the style of the prints.
There were a few good frame choices and we decided on an elegant black Ogee profile which we modified with the addition of a traditional shaped gold slip.
The mount colour was partially influenced by the red mounts they had previously been framed in, as it is a colour which adds richness, working well with the black and gold frame. A further enhancement of a gold mount slip was added to tie the mount to the frame, completing it.
When framing valuable prints we recommend using UV-filtered glass or acrylic, which have an option of anti-reflection.
A simple square wooden frame hand painted in a darkest grey tone, created the right finish for this eye-popping Op Art Bridget Riley Poster, which was float mounted on conservation board and UV filtered glass raised.
'Focusing isn't just an optical activity, it is also a mental one.' Bridget Riley
If you are considering displaying a piece of memorabilia we recommend our conservation framing options, such as with this piece with a large amount of sentimental value. A client brought in a special edition commemorative tea towel with a design of the 1969 Moon landing which needed re-stretching and framing.
With the image on the towel being bold and colourful, we decided framing it up close, without a mount, would be a particularly neat way to frame it. Wide frames could have been used but we found narrow frames also worked well.
The client chose one of our narrow ash frames which had a pinkish-grey paint & wash hand finish. We stretched the towel over an acid-free board and the frame was glazed with Anti-Reflective glass to give excellent clarity and to allow the brilliance of colour to be seen.
The paintings of Roberto Pagliarulo, although modern, have a distinct classical element making them congruent with traditional frame shapes. His most recent work takes inspiration from Italian landscape and culture, often including a mythical quality, drawing the viewer into a captivating perceptual experience.
The frames we made for Roberto's paintings reflect his union of contemporary and classical: the designs chosen are traditional yet simple; modern yet including shapes found on older styles of framing.
His confident use of colour means frames with a painted finish are a fitting choice. The designs chosen allow for the creation of clear, bold areas of colour to successfully frame the image.
For this oil of Hercules we enhanced the richness of royal blue with the addition of gilding along the inner section, whilst keeping the frieze a flat off white.
You can view more art by Roberto Pagliarulo and information on his website.
Also with Highgate Contemporary Art and Lena Boyle Fine Art.
Unusual artworks often inspire an alternative approach to framing.
For two book pages illustrated with gold leafed miniature paintings depicting Sufi Whirling, a deep solid Oak frame with Black Stain and Wax hand finish was a great choice because of its richness and simplicity.
More traditional shaped and gilded frames were also considered, but our client decided to match their other frames ordered which were contemporary in style.
The pages appear to be suspended between two sheets of anti-reflective glass which creates a magical illusion of floating, which compliments the meditation described in the paintings where the Sufi figures perform ritual positions and spinning.
The depth of this oak frame means it can stand unaided, as well as being hung on a wall if preferred. As the wallpaper behind would be seen through the glass, this can add new design and colour elements depending on where it is placed.
By displaying it as an object on a shelf or table, you would be able to see the reverse of the pages and also the gold leaf could be lit effectively to shine.
Visit our client space to discuss your unique framing requirements and view our frame collection.
Popular choices when framing small artworks include very wide, grand frames or to choose a more minimalist, slender frame. The latter was chosen for these two contemporary portraits in oil by Alexander Young MA (RCA).
A deep profile with a thin facing edge, these float frames provide an unimposing border around the paintings. The chosen colour was a complementary but not competing grey.
The paint and wash finish subtly brings out the grain of the wood to add a little texture and interest.
Alexander Young MA (RCA) studied at the Edinburgh College of Art and the Royal College of Art. He is a realist, figurative artist who paints portraits and objects found in his domestic setting. He explores the idea of taking everyday objects and through painting them transform and elevate them to see them afresh. He mainly paints in egg tempera on a gesso ground.
He has exhibited at the Royal Academy of Art and Dulwich Picture Gallery amongst others with work in private and public collections. You are welcome to contact us for further artist details.
Create your own 3D displays in our 20x20cm off-the-shelf Assemblage Frames.
Each solid wood hand painted frame is made in our workshop providing a display depth of 45mm with an acid-free mountboard included.
Collect an assemblage of objects, pop in your favourite makes and finds or design an imaginary scene. Use mixed-media such as fabric, card, felt.
Display your 3D treasures, photos, memories and maps. Assemble your art.
Choose from a range of colours. All Assemblage Frames are easy to open and ready for you to create your display. Priced at £30 each, purchased in store only.
Share Your Assemblages:
Follow us on Twitter @fineartisanLDN
Share your photos using the hashtag #FineArtisan
Follow us on Facebook and share your ideas*
Visit our client space to view our full collection of hand finished, gilded and selected ready finished frames available for custom framing.
*Any image you share is your sole property. By sharing with us we presume you would like us to repost as an example. You have the right to ask for the image to be deleted at any time. We reserve the right not to share your image if deemed inappropriate.
Cross-stitches are carefully embroidered with attention to detail, so they should also be framed with consideration. We stretch and mount cross-stitches to conservation level, so tension is even and they can be easily removed.
Our selection of thin gold leafed frames with etched surfaces are a beautiful choice for needle art. With this traditional floral cross-stitch we decided on a classic cream mount to enhance the warmth of the colours and to tie in with the gilding on the frame.
We chose a gold with green etched frame; a soft verdigris which compliments the greenery in the cross-stitch design. Anti-reflective glazing was also chosen for clarity on the details.
Fine Artisan Frame Makers Blog Framing hand finishes, creative process, framing workshop, step-by-step guidance, framing trends, style, interiors, ideas, new frame mouldings and finishes, artists, art events, exhibitions, interviews, case studies, announcements, promotions, conservation framing news.